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The National Trust at 125 – Honouring British Composers

The National Trust was founded on the 12th January 1895 by Octavia Hill, Robert Hunter and Hardwicke Rawnsley. As the Trust reaches its 125th birthday, we share its celebration of famous British composers and the work it does to inspire a new generation.

Octavia Hill

Leith Hill Place – Ralph Vaughan Williams

Leith Hill Place in Surrey was the home of Ralph Vaughan Williams from the age of two until he was 20, when he went to study at Cambridge. He arrived at Leith Hill Place with his mother after the death of his father, when they moved to live with his mother’s parents. His early music education came from his aunt Sophy who taught him piano. He also learnt violin, viola and organ. After schooling at Charterhouse, he went to the Royal College of Music and then to the University of Cambridge.

Ralph had a passion for bringing music into people’s lives. In 1905 he helped his sister, Margaret Vaughan Williams and Lady Evangeline Farrer to start the Leith Hill Music Festival, an annual competition for amateur choirs. He remained as Festival Conductor for nearly fifty years and the Festival continues to thrive.

Leith Hill Place has been in the hands of the National Trust since 1945. Set in beautiful countryside, the house celebrates the work of Ralph Vaughan Williams with a timeline of his life. At the house you can also see Ralph’s piano on which he composed works such as Lark Ascending and his Symphonies 1-9. The piano, which remained in the family, has now been restrung and fitted with a new tuning plank so it can be played. On the second floor of the house is an audio guided tour of Ralph’s life and music.

Leith Hill Place is also notable for it’s links to other members of Ralph’s family. His grandfather was Josiah Wedgwood III (of the ceramics company) and his grandmother was Caroline Darwin, sister of Charles Darwin. Charles Darwin conducted experiments in the grounds of the house.

The Firs – Edward Elgar

Edward Elgar was born on 2nd June 1857 in The Firs in Broadheath, an early 19th Century Worcestershire cottage. At the time, his father, a musician, was a piano tuner, church organist and amateur violinist, his mother was a farmer’s daughter who wanted her children to grow up in the country.

Although Elgar was only two years’ old when the family left The Firs, his mother often sent him and his siblings back to Broadheath for summer holidays, when they would stay on a farm. This developed Elgar’s lifelong love of the area which led to his request on receiving his Baronetcy for the title ‘Baron Elgar of Broadheath’.

In 1934, before his death, Elgar confided to his daughter Carice that he wanted to be remembered in Broadheath, and so in 1935, Carice with the help of Alderman Hubert Leicester, persuaded the corporation of Worcester to purchase the cottage. She also requested that all memorabilia relating to Elgar be returned to the cottage.

The Firs continues to celebrate the life and work of Elgar through maintaining artefacts, talks and concerts. A key part of the National Trust’s work is to help visitors to appreciate the area that so influenced Elgar with a series of walks around the Worcestershire countryside.

575 Wandsworth Road – Cevanne Horrocks-Hopayian

In 2015, the National Trust and the London Symphony Orchestra (LSO) developed a composer in residence project. Cevanne Horrocks-Hopayian, an LSO Soundhub associate, created works inspired by 575 Wandsworth Road, London. The house was owned by late Kenyan-born poet, novelist, philosopher of mathematics and British civil servant, Khadambi Asalache, and was acquired by the National Trust in 2010.

Asalache bought the house in 1981 and turned it into a work of art. The project started when he fixed pine floorboards to a damp wall and he went on embellish walls, ceilings and doors with handcarved fretwork patterns and motifs .

Horrocks-Hopayian took part in a two year residency, working with LSO musicians to interpret the history of the house and the work of Asalche. Her first composition from the projects combined a recording of Khadambi Asalache’s thumb piano with extracts from his poems.

Alongside her composition work, Horrocks-Hopayian work with the local community such as the Festival Chorus Wandsworth, work which further inspired her compositions.

Michael Price – Tender Symmetry

In 2018, Michael Price released his work Tender Symmetry, in answer to National Trust locations across England. The works were both informed by and recorded in spaces such as of Fountains Abbey in Yorkshire to the Fan Bay World War II shelter, in the chalk cliffs of Dover.

Michael Price explains: “For Tender Symmetry, I stopped admiring and started participating in these buildings. This began as an exploration of writing and recording out in the world beyond the studio. I am interested in where we build our homes in an increasingly virtual world and the spirit of place we feel as we walk our local streets, our schools, temples and public spaces…Taking inspiration from a place, and the stories it told, then going back to that place to record, sometimes in less than ideal conditions, made the two-year adventure much more like shooting a film than making a record.”

Fountains Abbey

The locations for Tender Symmetry are:

  • Speke Hall, Liverpool, Merseyside – a Tudor manor house on the banks of the Mersey, restored in the 19th century, so combining both Tudor and Arts and Crafts features
  • Quarry Bank, Cheshire – a great industrial heritage site, containing an 18th century working mill and the homes of a complete working community
  • Fountains Abbey, North Yorkshire – the largest monastic ruins in the country, founded in 1132 by 13 Benedictine monks from St Mary’s in York
  • 2 Willow Road, London – an innovative and influential Modernist home, designed in 1939 by architect Ernö Goldfinger for himself and his family
  • Sandham Memorial Chapel, Hampshire – a world famous chapel which houses an epic series of large-scale paintings, by acclaimed war artist Sir Stanley Spencer
  • Fan Bay Deep Shelter, Kent – a tunnel complex constructed inside the White Cliffs of Dover in  1940/41 as accommodation for the gun battery above
  • All Hallows, Gospel Oak – the only location not owned by the National Trust, where Shade Of Dreams was recorded.

A Year in Music Education

The Music Workshop Company has had a positive and exciting time in 2014. We’ve worked with participants we’d not met before, designed brand new workshops, revisited some of our previous clients and thoroughly enjoyed facilitating a whole bunch of creativity and music making.Family

Much of the recent emphasis on music and music education in the media falls on the lack of funding faced by professional musicians and music educators, and the failure to make space in the curriculum for this valuable educational area. MWC is passionate about music education, and determined to have a positive impact through music workshops.

In order to give a sense of exactly what the Music Workshop Company is about, we’ve put together a round-up of some of our 2014 highlights: Our year in music education.

We got off to a flying start in January with a Rock School Workshop at Thomas Deacon School where we’ve worked before, and our first visit to Clarendon Fan Court Preparatory School for a Composition “Rock ‘n’ Roll” workshop.

“I was really pleased with the way the workshop leader got the children working as an ensemble from the start. Even as a whole year group, it made them focus on working together for the rest of the day. The material and songs chosen to demonstrate the points the workshop leader was making was relevant to the children, and he made sure everyone was included and involved at every stage of the day. I would most definitely recommend The Music Workshop Company to colleagues.” Claremont Fan Court Prep, Esher, Surrey, January 2014

We also had the opportunity to work with Ealing Mencap Group.

“The musician (Sarah) was very organised, well prepared, and had a very pleasant manner which our young people with learning disabilities seemed to appreciate. She was able to engage some people who find this very difficult and ran the session to meet their varying needs. I was impressed with her.” Kathryn White, Ealing Mencap, January 2014

photo-15In February, we enjoyed meeting past, present and future clients at the Rhinegold Music Education Expo at the Barbican. You can read all about the Expo in our blog post. We’ll be there again in March 2015 and look forward to seeing you if you can make it.

Our projects for March included a Music Composition project based on “Differences” at Milton Court Primary School.

“The children were thoroughly engaged in the workshops …a fun day was had by all … overall a very enjoyable experience.” J Pearn, Milton Court Primary, Sittingbourne, March 2014

We also led our first Community Orchestra project with Yardarm Folk Orchestra & Sussex Orchestra.

“The experience was seamless from the start and the workshop itself was brilliant. The Music Workshop Company immediately understood our problems at our initial enquiry … booking the workshop was simple and everything ran like clockwork. The workshop identified and dealt with the main problems which are faced by the two orchestras that participated. The pace and style of presentation were very appropriate and they were delivered in a capable and confident manner which held everyone’s attention throughout. This is definitely the most valuable activity that our orchestra has done since its formation.” Malcolm (Yardarm) and Eileen (Sussex) Orchestras, Benfleet, Essex, March 2014

Also in March we had our first of two visits to one of our longest standing clients, Newstead Wood School, with a West African Drumming Workshop. African Drumming is one of our most popular workshops for both adults and children, and it brings a surprising number of benefits. Read about the impact of drumming on confidence and well-being in our blog post.

In April, we got involved in the ISM’s Protect Music Campaign, and had a brilliant time at Clarendon Ongoing Opportunities, a group we have been working with for several years.

“High levels of engagement and listening with a group involving some with severe learning disabilities, young people were given ownership and variety” Thomas Hillman, Clarendon Ongoing Opportunities, April 2014

In May we visited our good friends at the Harpenden Gateway Club. We have run workshops for the group since 2007!

Harpenden Gateway Mencap May 2014 025-300x225“Thank you so much for your wonderful music workshop at Gateway last week.   Our members thoroughly enjoy your visits, as indeed the turnout that evening showed!” Natalie Chaston, Harpenden Gateway, May 2014

We returned to Newstead Wood School in June for their annual Composition Workshop leading to a performance at their school concert. You can read about this project in more depth here.

We also had a fabulous time at Story Wood School with a Samba Workshop.

“Enjoyed the range of instruments and putting them together as a Samba band- it sounded great! Very positive and enjoyable!” Rachel Marsh, Story Wood School, June 2014

Then we had another amazing day with West Mercia Brownies. It was great to be invited back!

July was a busy month with school workshops, holiday club projects and a corporate project, including a fun day at the Oak Tree Centre in the Lightmoor Village Centre for the Bournville Village Trust working with participants from aged 3 to 13.

photo-14During the school holiday in August, we spent a hot, sunny day in Fairlands Valley Park, Stevenage taking part in a music day. We worked with participants of all ages in our family workshops.

And as the new school year began we worked with children and parents at Lostock Gralam Church of England School, to write a new school song, which you can listen to on our audio page.

“A very enjoyable experience for both adults and children in school. The finale where we shared the song was fantastic!” Lostock Gralam Church of England School, September 2014

We got more great feedback from one our October workshops:

“The children were introduced to new instruments and had the chance to play them…. All the children enjoyed the interactive style of the workshop.” Laura Burton, Moseley Church of England School, October 2014

And in the October half-term, we were lucky enough to spend a day at the Elgar Birthplace Museum working with families to create new pieces of music. It was a real privilege for the workshop leaders to work in the home of one of England’s greatest composers, and the workshop was brilliant fun. The pieces we created there are also available to listen to on our audio page.

“A big thank you for the lovely event you ran last week.” Lily Dean, Elgar Birthplace Museum, October 2014 

Body percussionIn November we visited Wyvil Primary School to celebrate their Latin American Day, and as the end of term approaches we have a whole host of workshops to look forward to, and plenty of creative ideas for next year.

Thank you to all our clients and participants for making 2014 a truly memorable year.

We are always open to receiving last-minute enquiries if we are available to run a workshop for you, and we are taking bookings for the New Year. Contact us to arrange your custom-built workshop today. We are looking forward to making music with you!

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